Few singers working in contemporary jazz bridge the gap between classic sophistication and modern accessibility quite like Hannah Gill, and her latest album, I Like the Sunrise, is another reminder of why she's become such a respected voice on today's jazz scene.
Released on 19 June 2026, the eleven-track collection sees Gill embracing the rich tradition of the Great American Songbook while bringing her own warmth, elegance and effortless vocal style to every performance. Rather than reinventing these much-loved standards, she leans into their timeless qualities, allowing expressive phrasing and impeccable musicianship to do the talking.
Long-time followers will already know Gill from her acclaimed solo work and her years touring internationally with Postmodern Jukebox, where her vintage-inspired performances introduced her voice to millions of listeners online. Her musical background stretches from original singer-songwriter releases to traditional jazz, making this latest record feel like a natural continuation of an already impressive career.
Scott Bradlee's Postmodern Jukebox, by Pasi Välkkynen via Wikimedia Commons. Licensed under CC BY 2.0.
Opening with the title track, I Like the Sunrise immediately establishes the album's relaxed, intimate atmosphere. Elsewhere, interpretations of classics including Azure, Take Love Easy, Do Nothing till You Hear from Me, Azalea and Love You Madly showcase Gill's ability to balance technical precision with genuine emotional connection. The arrangements favour subtlety over spectacle, allowing each melody room to breathe while highlighting the chemistry between vocalist and accompanying musicians.
What makes Gill particularly compelling is her versatility. Equally comfortable performing soulful original material or swing-era standards, she has built a reputation as one of the standout vocalists of the modern jazz revival. Her career has included appearances at prestigious venues around the world while earning praise from major outlets including The New York Times, NPR and Teen Vogue. Even Irish singer-songwriter Hozier publicly praised her interpretation of Take Me To Church, commenting that her "ability is beyond her years."
In an era where many jazz releases chase novelty, I Like the Sunrise succeeds by trusting the enduring power of exceptional songs, tasteful arrangements and a vocalist who understands exactly when to dazzle and when to simply let the music speak.
For jazz enthusiasts, fans of vocal standards and newcomers alike, Hannah Gill's latest release offers a beautifully crafted collection that feels both nostalgic and refreshingly contemporary. It's an album that rewards repeated listening and confirms that classic jazz singing remains as captivating today as ever.