A Look at new Wish You Were Here 50th Anniversary Reissue by Prog Legends Pink Floyd

Legendary rock pioneers Pink Floyd have announced a special 50th anniversary reissue of their iconic 1975 album Wish You Were Here. As part of the celebration, the band has also unearthed a never-before-heard demo of the hauntingly mechanical track “Welcome to the Machine,” now available for fans to stream.

The reissue, slated for release this November, promises to be a collector’s dream, featuring remastered audio, rare session outtakes, and newly unearthed material from the band’s archives. Perhaps most exciting for die-hard Floyd fans is the inclusion of early demos that provide an intimate look at the band’s creative process during one of their most emotionally charged eras.

The newly released demo of “Welcome to the Machine” is raw, stripped-down, and surprisingly intimate compared to the final version that appeared on the original album. Where the studio version is drenched in cold synthesizers and oppressive atmosphere—symbolizing the soulless machinery of the music industry—the demo is more acoustic and skeletal, allowing Roger Waters’ cynical lyrics to take center stage.

“It’s always fascinating to hear where a song begins,” said Nick Mason, Pink Floyd’s drummer and sole continuous member, in a press statement. “This version of ‘Welcome to the Machine’ is much more vulnerable, and you can hear us feeling our way through the track’s emotional terrain.”

Released on September 12, 1975, Wish You Were Here served as a deeply personal follow-up to The Dark Side of the Moon. The album was largely shaped by the band’s disillusionment with the music business and their feelings of loss surrounding founding member Syd Barrett, whose mental health struggles had led to his departure years earlier. Tracks like “Shine On You Crazy Diamond” and “Wish You Were Here” remain poignant tributes to Barrett’s legacy, while “Welcome to the Machine” took a harsher stance on the industry that, in the band’s view, had consumed him.

The 50th anniversary box set will include:

• A newly remastered edition of the original album (on vinyl, CD, and high-res digital formats)

• A disc of unreleased demos, including early takes of “Have a Cigar” and “Shine On You Crazy Diamond”

• A 36-page hardcover book with unseen studio photographs and liner notes by longtime Pink Floyd collaborator Aubrey “Po” Powell

• Replica tour memorabilia from the band’s 1975 tour

• A Blu-ray disc featuring a restored 5.1 surround mix and a new Dolby Atmos mix

Fans can listen to the “Welcome to the Machine” demo now on all major streaming platforms.

As one of the most influential and emotionally resonant albums in progressive rock history, Wish You Were Here still resonates half a century later. Whether you're a lifelong fan or discovering it for the first time, this reissue offers a powerful reminder of why Pink Floyd continues to echo through time.

Big Hype For A Possible New Rolling Stones Album

After more than six decades of defying time, trends, and the laws of rock and roll, The Rolling Stones are proving yet again that they're not done. In fact, if recent reports are anything to go by, they're more energized than ever. The legendary band is deep into the creative process for a new album—and according to insiders, “they’re all hyped up.”

Yes, Mick Jagger, Keith Richards, and the rest of the Stones are back in the studio, cooking up fresh tracks that promise to blend their classic swagger with some modern edge. It's a thrilling update for fans who were still buzzing from the release of their 2023 album Hackney Diamonds, which marked their first original material in nearly two decades—and their first release since the death of drummer Charlie Watts.

till Rocking, Still Relevant

At this stage in their career, most bands would be content with legacy tours, greatest hits compilations, and occasional interviews. Not the Stones. If anything, they’re shifting into overdrive.

Reports suggest the band has been working in both London and Los Angeles, collaborating with top-tier producers, and potentially some surprise guest musicians. While details are still under wraps, there's talk of the new material tapping into the Stones’ blues roots—while also embracing the raw, youthful energy that launched them into rock royalty in the first place.

And why the renewed drive?

“They’re all hyped up,” said one source close to the band. “It’s like a spark has been lit again. There’s this creative electricity in the room—like they’re making their first record, not their 30th.”

A New Era Without Charlie

This new album will be their second major release without Charlie Watts, who passed away in 2021. His absence is still deeply felt, but the band has continued to honor his legacy in their music. Longtime associate Steve Jordan has stepped into the role on drums and is now considered part of the Stones' extended family. His presence seems to have reinvigorated the band, giving them both stability and a fresh rhythmic drive. Why It Matters

In an era dominated by viral hits, streaming algorithms, and TikTok-fueled fame, The Rolling Stones’ continued presence in the music world feels downright rebellious. They’re not trying to compete with trends—they’re carving their own lane, just as they always have.

For fans, this album could be more than just new music. It’s a rare opportunity to witness one of the last great rock bands still pushing forward, still creating, still refusing to be confined by age or expectation. At a time when nostalgia is often packaged and commodified, The Rolling Stones are doing something more radical: they’re staying alive by staying active.

What’s Next?

There’s no official release date yet, but speculation is high that the album could drop in early 2026, possibly alongside a world tour announcement. If Hackney Diamonds was a surprise comeback, this next project could cement their late-era resurgence.

One thing is certain: The Rolling Stones aren’t just riding on past glory. They’re still writing, still playing, and most importantly—still rolling.

Peter Hook talks about "Get Ready", the Rock n' Roll Hall of Fame, and more

It’s been over four decades since Peter Hook co-founded Joy Division, the band that evolved into New Order following the tragic death of Ian Curtis. From pioneering post-punk to shaping electronic dance music, New Order’s legacy is undeniable. But there’s one recognition still missing from their resume — induction into the Rock and Roll Hall of Fame.

In a recent interview, Hook addressed the elephant in the room: Why hasn’t New Order made it into the Rock Hall yet? His answer, as always, was as candid as fans have come to expect.

“It’s politics, plain and simple,” Hook said. “The Hall of Fame has a history of ignoring bands with messy relationships — and let’s face it, ours was more than messy.”

Fractures in the Factory

The tensions between Peter Hook and his former New Order bandmates — Bernard Sumner, Stephen Morris, and Gillian Gilbert — are well-documented. Hook left the band in 2007 after mounting personal and creative differences. Since then, he’s carved out a successful career with his band, Peter Hook & The Light, performing Joy Division and New Order albums in full. Meanwhile, New Order has continued to tour and release new music without him.

When New Order was nominated for the Rock and Roll Hall of Fame in 2020, fans were cautiously optimistic. But when the band didn’t make the final cut — and when Joy Division and New Order were later jointly nominated in 2023 but again not inducted — it felt like an intentional snub.

“We’re a band with a complicated history,” Hook acknowledged. “And I think the Hall doesn’t know what to do with us. Are we Joy Division? Are we New Order? Are we both? And if we are inducted, who gets to stand on stage and take the credit?”

It’s a fair question. The Hall of Fame tends to avoid messy reunions, and New Order’s saga is particularly tangled. Still, for fans, the music speaks louder than the drama.

Revisiting Get Ready: An Underrated Classic

Despite the politics, Peter Hook isn't waiting around for industry validation. He’s channeling his energy into what he does best: playing music. His current tour sees him and The Light performing New Order’s 2001 album Get Ready in full — a bold choice, considering it’s one of the band’s most divisive records.

“Get Ready was the last album I did with New Order, and I think it’s criminally underrated,” Hook said. “It marked a return to our rock roots, after all the dance records. It’s raw, emotional — and it deserves a second listen.”

Released after an eight-year hiatus, Get Ready saw New Order embracing guitar-heavy sounds while still retaining their signature synth textures. With tracks like “Crystal,” “Slow Jam,” and “Someone Like You,” the album bridged the gap between their post-punk origins and the modern indie-rock landscape.

Hook's decision to play the album front to back is more than nostalgia — it’s a reclamation.

“For me, playing Get Ready is about closure. It’s about giving that record the spotlight it never got, and giving fans the chance to hear it live in a way they never have.”

Looking Back Without Regret

For someone who’s been at the heart of two of the most influential bands of the 20th century, Peter Hook remains refreshingly grounded — and unapologetically honest.

“I’m proud of what we did — in both Joy Division and New Order. Whether or not we ever get into the Rock Hall, the legacy is already there. The fans are the real hall of fame, and they’ve stuck with me all the way.”

As Hook continues to tour the world with Get Ready and deeper cuts from New Order and Joy Division’s catalog, one thing is clear: Rock Hall or not, his place in music history is secure — and he’s not done making noise yet.

An Exciting Discovery: The Clandestine Final Project Of David Bowie

In a revelation that’s thrilling fans and historians alike, a previously unknown final project by legendary musician and artist David Bowie has been discovered locked away in his private study—untouched since his death in 2016.

The discovery was made by Bowie's longtime archivist and estate manager, who had been cataloging the remaining contents of his New York City apartment. Tucked behind a false panel in the study—overlooked for nearly a decade—was a vintage hard drive, several notebooks, and a series of unlabelled mini-DV tapes. What they contained has stunned even those closest to the late icon.

A ultidimensional Masterpiece

According to early reports, the contents point to an ambitious multimedia project that Bowie was quietly developing in the final months of his life—an interactive, sci-fi rock opera titled “Beyond the Static.”

Blending music, video, visual art, and speculative storytelling, Beyond the Static appears to be a continuation of the themes introduced in Bowie’s final album, Blackstar—mortality, transformation, and the transcendence of identity. But unlike Blackstar, which was released just two days before his passing, this project was never completed or announced.

The notebooks outline a rich narrative world: a dystopian future where memories can be traded, time is fractured, and music is forbidden. One recurring character, known only as "The Listener," seems to serve as a spiritual stand-in for Bowie himself—an ageless observer who navigates the ruins of culture with only sound as his guide.

The Music: A Hidden Album?

Perhaps most tantalizingly, the hard drive includes demo recordings of 8 fully produced tracks not found in any known Bowie discography. Described as “haunting and futuristic” by insiders, the songs blend elements of ambient electronica, spoken word, and jazz, echoing Bowie’s Berlin-era experimentation while embracing 21st-century production.

Some titles include:

• “Signal to Ashes”

• “The Hollow Channel”

• “Static Saints”

• “A Map Without Time”

While unfinished, the recordings are unmistakably Bowie—his voice weathered yet commanding, weaving lyrics that are at once cryptic and intimate.

A Glimpse Into Bowie’s Mind

This secret project offers an unprecedented glimpse into Bowie’s artistic process during his final days. Known for his meticulous curation and constant reinvention, Bowie often operated in layers of metaphor and mystery. He had hinted in interviews that there were things “still left to say,” but no one expected something of this scale to emerge posthumously.

Longtime producer and friend Tony Visconti, who worked closely with Bowie until the end, was reportedly unaware of the project but said, “If anyone was capable of hiding an entire universe of music and meaning in plain sight, it was David.”

What’s Next?

The Bowie estate is currently working with archivists, musicologists, and digital preservation experts to fully assess the materials. While no formal release date has been announced, the estate has confirmed its intention to make portions of the project available to the public, possibly as part of a major exhibition or a special edition box set.

Fans are already buzzing online, with hashtags like #BeyondTheStatic and #BowieReturns trending across platforms. For many, it feels like a message from beyond—a final gift from an artist who was always steps ahead of his time.

In a world still echoing with his influence, Beyond the Static might just be the epilogue David Bowie always intended: mysterious, genre-defying, and unmistakably brilliant.

A New Take on ‘Hollow Man’ - Bruce Springsteen & Bon Jovi Team Up

In a collaboration that has classic rock fans buzzing, Bon Jovi and Bruce Springsteen have joined forces for a powerful new version of “Hollow Man,” the introspective track from Bon Jovi’s 2020 album 2020. The reimagined version, released today across all major streaming platforms, adds a gritty, soulful layer to the original — thanks in no small part to Springsteen’s unmistakable voice and raw emotional depth.

This is the first official studio collaboration between the two New Jersey icons, and it sounds exactly like you’d hope: honest, weathered, and full of heart.

From the first verse, Jon Bon Jovi’s signature raspy vocals set a reflective tone. But it’s when Springsteen takes over the second verse that the track takes on a new life. There’s a haunting authenticity in how he delivers lines like “I see a stranger in my eyes, and he’s staring back at me”, adding weight to the song’s themes of identity, regret, and personal reckoning.

“Hollow Man” was always one of the quieter emotional punches on 2020, but this version feels more lived-in. The arrangement has been stripped back further — acoustic guitars, a touch of harmonica, and piano drive the track — allowing both voices to shine in their vulnerability. The harmonies in the final chorus are goosebump-inducing: two rock legends, no longer the hungry young rebels of their early careers, but seasoned storytellers singing with the wisdom of experience.

Bon Jovi shared his excitement about the collaboration on social media: “Bruce brought something to this track that only he could. We’ve been friends for a long time, but working together in the studio — it just clicked.” Springsteen, in his typical understated fashion, said simply, “Jon wrote a hell of a song. I was glad to be a part of it.”

The collaboration has already sparked rumors among fans about the possibility of a joint tour or more music to come. While nothing has been confirmed, the chemistry on “Hollow Man” is undeniable — and it’s left fans wanting more.

For now, though, this version of “Hollow Man” stands as a poignant, powerful moment in both artists' storied careers — a reminder that even legends still have new stories to tell, and new ways to tell them.

Listen to “Hollow Man (feat. Bruce Springsteen)” now — and get ready to feel all the feels.

Deftones Retain Consistently Superb Quality on Private Musi

Deftones Retain Consistently Superb Quality on Private Music
By Eligh Gold, August 22, 2025

If there’s one thing you can count on in the ever-shifting terrain of alternative metal, it’s that Deftones will never deliver anything less than excellence. With their latest release, Private Music, the Sacramento legends once again prove that time only sharpens their edge — not dulls it. As bands come and go, or fall victim to formulaic writing and sonic redundancy, Deftones continue to evolve while retaining the essence of what makes them so uniquely powerful.

A Sonic World of Their Own

Private Music doesn’t scream for attention — it haunts, it swells, it creeps under your skin. The album's title might suggest something subdued, even minimalist, but don’t let that fool you. What Deftones present here is deeply personal, yet sonically expansive. There's a sense of restraint laced with ferocity; a band clearly in full control of its emotional and technical faculties.

From the opening track, you’re reminded of why Deftones have remained in a league of their own. Chino Moreno’s vocals are as textured and evocative as ever, shifting from hushed vulnerability to guttural intensity with surgical precision. Guitarist Stephen Carpenter lays down crushing yet atmospheric riffs, balancing aggression with ambiance in a way few modern rock guitarists can. Meanwhile, Abe Cunningham’s drumming remains a masterclass in groove and finesse, anchoring the band’s dreamlike excursions with just the right amount of weight.

The Evolution Continues

While some legacy acts lean on nostalgia, Private Music feels fresh — even experimental — without being self-indulgent. Tracks like “Glass Language” and “Tidepool Static” showcase Deftones' flair for blending ethereal electronics with their signature alt-metal backbone. Frank Delgado’s contributions on synths and samples are more prominent here than in recent memory, adding eerie textures that blur the lines between post-rock, trip-hop, and doom.

Yet, for all its atmospheric ambition, the album never forgets to hit hard. Songs like “Carbine Veins” and “Salt Bloom” prove that Deftones can still deliver heavy, emotionally charged rock music that cuts deep — but always with nuance.

Lyrical Intimacy

Moreno’s lyrics on Private Music are abstract but deeply affecting. There’s a sense of quiet introspection across the record, as if these songs are sonic diary entries whispered into the dark. Themes of isolation, yearning, memory, and transformation echo throughout — all filtered through the band’s trademark lyrical impressionism.

You won’t find overt declarations or anthemic choruses here. Instead, Moreno invites the listener into a shadowy, intimate headspace. It’s this emotional honesty — shrouded in mystery — that’s kept fans connected to Deftones for decades.

A Legacy Reinforced

In an era where many veteran bands struggle to stay relevant or risk diluting their legacy, Private Music reinforces Deftones' place in the pantheon of modern rock innovators. It’s not just another good album — it’s a statement of creative vitality, proving that their well of inspiration is far from dry.

While Deftones could easily coast on their classics, they choose instead to keep exploring, keep evolving, and most importantly, keep delivering music that resonates. Private Music is yet another chapter in a discography that has rarely, if ever, faltered.

And that’s what makes Deftones so enduring: a refusal to stagnate, a commitment to quality, and an ability to make the private feel universal.

“You Are Truly Immortal”: Bill Ward Writes Touching Message to His Black Sabbath Bandmates After Final Show

The final curtain has officially fallen on one of heavy metal’s most legendary acts. Black Sabbath, the pioneering force behind a genre that shook the world, has played their last show. But while the amps may now be silent, the emotions remain electric—especially from founding drummer Bill Ward, who penned a deeply moving message to his former bandmates in the wake of their farewell performance.

In a heartfelt note shared with fans on social media, Ward reflected on the band's extraordinary journey and the legacy they leave behind. Although he was absent from Sabbath's final reunion shows due to longstanding personal and contractual issues, Ward made it clear that the bond between him, Tony Iommi, Ozzy Osbourne, and Geezer Butler is one that transcends stage time.

“To Tony, Ozzy, and Geezer—thank you for the music, for the brotherhood, and for carrying the flag all the way to the end. You are truly immortal,” Ward wrote. “No matter where we stand now, I will always be proud of what we created together.”

For fans, Ward’s message is both poignant and symbolic. It is a deeply moving reminder that Black Sabbath's impact is not only measured in platinum records and sold-out arenas, but also in the unbreakable, if complicated emotional bonds forged through decades of creation, chaos, and catharsis.

Ward went on to acknowledge the final show, calling it “a powerful, dignified close to a life-altering story,” and thanked the fans who have followed them from the smoky clubs of Birmingham to the world’s biggest stages.

“You carried us when we were broken. You sang with us when we had no voice. You are the final piece of this legacy,” he wrote.

While his absence from Sabbath's last chapter was a source of disappointment for many longtime followers, Ward’s gracious words brought a sense of healing and closure. His message wasn’t just a farewell; it was a tribute to a legacy that has influenced generations and will undoubtedly echo for decades to come.

Black Sabbath’s swan song may have been missing one original member onstage, but Bill Ward’s words ensured that the heart of the band—its original spirit—was still very much present.

Ozzy's Wild Canvas: Prince of Darkness Paints with Chimps for Charity

In a story as surreal as one of his legendary stage antics, Ozzy Osbourne — the self-proclaimed Prince of Darkness — has swapped bats for brushes and teamed up with an unlikely group of collaborators: chimpanzees. Yes, you read that right. The heavy metal icon recently took part in a charity art project where he painted side-by-side with rescued chimps, all to raise funds for wildlife conservation.

Held at a private sanctuary just outside Los Angeles, the event was part of an initiative by Art for Apes, an organization that raises money to support endangered primates through creative expression. Ozzy, grinning ear to ear in a paint-smeared leather jacket, joined the sanctuary’s resident chimps for a day of chaotic collaboration — resulting in abstract masterpieces that are now being auctioned online.

"I’ve done a lot of mad things," Ozzy said, “but painting with chimps? That’s a new one, even for me. And they’re bloody better artists than I am!”

The collaborative paintings — a swirl of neon splashes, fingerprints, and yes, some very deliberate strokes by our primate friends — have already caught the attention of collectors and fans alike. Proceeds from the sales go toward building new enclosures and funding veterinary care at sanctuaries across the globe.

This bizarre, beautiful partnership shows that creativity knows no species — and that even the Prince of Darkness has a soft spot for the animal kingdom.

In a heartfelt and “long‑overdue” gesture, The Edge, U2’s iconic guitarist, has finally been granted Irish citizenship

In a heartfelt and “long‑overdue” gesture, The Edge, U2’s iconic guitarist, has finally been granted Irish citizenship — 62 years after moving to Ireland as a child. The ceremony, held in Killarney, County Kerry, saw Evans—real name David Howell Evans—make the pledge of loyalty alongside around 7,500 new Irish citizens from over 143 nations

At 63, Evans wryly commented, “I’m a little tardy with the paperwork,” but expressed deep pride in his formal bond with Ireland. While he has always “felt Irish” since moving from Essex at age one, he said the moment feels especially meaningful given Ireland’s current “leadership in the world” — from support for institutions like the UN and ICC, to its stance on global justice ir

Reflecting on the ceremony’s atmosphere, The Edge described it as “very moving,” noting the shared joy with fellow citizens. He remarked on the emotional power of the moment, saying “this is long overdue,” and affirming that Ireland “will always be home” to him

U2’s legacy is deeply interwoven with Irish identity — from forming in Dublin in 1976 to crafting songs like “Sunday Bloody Sunday”, which became potent cultural anthems. Despite his global fame, The Edge’s decision to formalise his citizenship reaffirms a profound personal and national connection.

🌍 Why this matters

• Symbolic alignment: Although Evans had lived nearly his entire life in Ireland, obtaining citizenship strengthens his legal and emotional identity as Irish.

• Shared milestone: The mass ceremony reinforced Ireland’s inclusive approach amid global migration — bringing people together from all walks of life.

• Cultural affirmation: It continues U2’s longstanding narrative of Ireland as a place of conscience, creativity, and political voice.

Looking ahead

Now an official citizen, The Edge enters a new personal chapter while continuing to shape Ireland’s artistic portrait. As U2 embarks on upcoming projects — including electric, guitar-forward music — this milestone serves as a personal anchor, reaffirming his roots while facing future creative endeavors.

The Last Chord: Beatles' Final Piano Played After Decades in Silence

For decades, it sat untouched—an elegant, unassuming upright gathering dust in the corner of a private studio. But last night, for the first time since the Beatles' final recording sessions, the last piano was played again. And when its first note rang out, it wasn’t just music—it was history vibrating in the air.

Believed to be the very instrument played during the final moments of the Let It Be sessions and parts of Abbey Road, this piano—owned by the estate of a longtime Beatles engineer—has been out of public earshot for over 50 years. It was recently restored to full working order and unveiled at an intimate event in London, where musician and Beatles aficionado James Blake was given the honour of reawakening it.

The performance was simple: a stripped-back version of “Golden Slumbers” followed by a haunting, wordless improvisation that seemed to echo the ghosts of Lennon, McCartney, Harrison, and Starr. There were no big speeches, no marketing gimmicks—just a reverent hush and the sound of keys that once carried the emotional weight of a band at the end of its road.

Experts have confirmed that the piano still bears the wear and character of its legendary users. A barely visible “M” etched into the wood, allegedly by McCartney himself. Cigarette burns on the top panel. A chipped E key. All silent witnesses to the pressure, beauty, and fracture of the Beatles' twilight era.

In an age when AI-generated voices and holograms threaten to replace legacy with simulation, the return of a real, living piece of Beatles history is a powerful reminder: authenticity still matters. Instruments carry stories. This one carries a final chapter.

There are now tentative plans for a limited tour—select artists will be invited to play the piano in special sessions, with recordings archived for future generations. But for one night, in a small room filled with reverent fans and stunned silence, it wasn’t about what comes next. It was about what once was.

And, remarkably, still is.

Miley Cyrus Pays Tribute to Sinéad O'Connor at SNL 50th Anniversary Special

Miley Cyrus delivered an emotional and powerful tribute to the late Sinéad O'Connor at the Saturday Night Live 50th Anniversary Special, proving once again why she remains one of the most dynamic voices in contemporary music. The pop icon took to the legendary SNL stage to honor O'Connor, whose influence on music and activism has left an indelible mark on generations of artists.

Dressed in a simple yet elegant outfit that echoed O’Connor’s signature minimalist aesthetic, Cyrus performed a heartfelt rendition of Nothing Compares 2 U, the song that catapulted O'Connor to global fame in 1990. As the first notes rang out, the audience was instantly captivated, recognizing the weight of the moment. Miley’s raw and impassioned vocals paid homage to Sinéad’s legacy, capturing the vulnerability and defiance that made O'Connor a cultural icon.

The tribute was not just about the music; it was a poignant nod to O'Connor’s courage in speaking out against injustice, mental health struggles, and the complexities of fame. Cyrus has previously expressed admiration for O’Connor, despite past public tensions between them. In recent years, she has acknowledged the Irish singer’s foresight regarding the pressures placed on women in the industry, making this tribute even more significant.

SNL’s 50th Anniversary Special was packed with nostalgic and historic moments, but Miley’s tribute stood out as one of the night’s most touching. The performance resonated deeply, not only with fans of both artists but also with those who appreciate the impact of fearless women in music.

As the song came to a close, Miley stood in silence, visibly moved, as a black-and-white image of Sinéad O’Connor appeared on the screen behind her. The moment was met with an outpouring of applause and emotion, cementing this performance as one that will be remembered for years to come.

Cyrus’ tribute at SNL 50 was more than just a performance—it was a celebration of an artist who defied conventions, challenged norms, and left behind a legacy of truth and resilience. In honoring Sinéad O’Connor, Miley Cyrus reminded the world of the power of music to transcend time, heal wounds, and pay homage to those who paved the way.

Steven Tyler Makes Long-Awaited Comeback with Star-Studded Performance

Music legend joins Mick Fleetwood and Jessie J for electrifying Jam for Janie performanc

Steven Tyler is back. The 76-year-old rock legend made his long-awaited return to the stage on Sunday, February 2, 2025, delivering a powerful performance at his Jam for Janie Grammy Awards Viewing Party at the Hollywood Palladium in Los Angeles. This marks Tyler’s first major performance since Aerosmith retired from touring last August following his severe vocal injury—and if last night was any indication, the Demon of Screamin’ isn’t done yet.

The event, an annual fundraiser for Tyler’s Janie’s Fund—a foundation supporting abused and neglected girls—was already a star-studded affair, but the night became truly unforgettable when Tyler took the stage. Joined by legendary Fleetwood Mac drummer Mick Fleetwood and pop powerhouse Jessie J, the rock icon tore through a setlist that reminded everyone why he remains one of the greatest frontmen of all time.

A Triumphant Return After a Career-Threatening Injury

Fans have been holding their breath since September 2023, when Tyler’s doctors discovered that he had fractured his larynx during Aerosmith’s Peace Out farewell tour. The injury forced the band to cancel all remaining dates, and just months later, Aerosmith officially announced their retirement from touring. For many, it felt like the end of an era.

But true to his rock-and-roll spirit, Tyler defied expectations. His Jam for Janie performance was not only a fundraiser but also a statement—he's still got it.

Opening with a soulful, blues-drenched take on Aerosmith’s “Dream On,” Tyler’s voice, though slightly raspier, carried the same raw intensity that has defined his five-decade career. As he hit the song’s iconic high notes, the audience erupted in cheers, proving that even after a career-threatening injury, his signature wail still packs a punch.

A Star-Studded Celebration of Rock and Soul

Tyler’s set was filled with unexpected collaborations, adding to the night’s magic. Mick Fleetwood provided thunderous percussion, elevating the performance to an even grander level, while Jessie J, known for her powerhouse vocals, complemented Tyler beautifully. The two singers traded verses on a high-energy rendition of “Walk This Way,” a moment that had the crowd on its feet.

Fleetwood, a longtime friend of Tyler’s, later joined in for a stripped-down blues jam, paying tribute to the deep musical roots that both legends share. It was a rare and intimate moment, showing the raw talent and camaraderie between two of rock’s greatest showmen.

What’s Next for Tyler?

While Aerosmith has retired from touring, Tyler’s performance raised questions about his next move. Could he embark on a solo tour? Release new music? So far, he’s keeping his cards close to his chest.

Bassist Tom Hamilton has hinted that while Aerosmith won’t be hitting the road again, future collaborations or one-off performances aren’t off the table. And with Tyler proving he can still command a stage, fans are hopeful that this was just the beginning of a new chapter.

A Rock Legend Who Refuses to Fade Away

Steven Tyler’s Jam for Janie performance was more than just a return—it was a testament to resilience, passion, and the enduring power of rock and roll. For a man who has spent decades defying the odds, this was yet another reminder that he’s not going quietly.

As he stood center stage, arms outstretched, basking in the glow of adoring fans, one thing was clear: Steven Tyler isn’t done singing just yet. And the world is all the better for it.

Beyoncé Just Made Grammy History (Again). This Time, She Did It in Boots.

Beyoncé Just Made Grammy History (Again). This Time, She Did It in Boots.

At this point, Beyoncé collecting historic wins is as predictable as the sun rising—but this one? This one hits different.

On a night where legends roamed and trophies found their rightful homes, Cowboy Carter sealed its place in the record books, earning Album of the Year at the Grammys. And with that, Beyoncé finally lassoed the one major award that had somehow dodged her after decades of dominance.

Let’s be clear: this wasn’t just a win. This was a statement. A neon-lit, steel-stringed, country-stomping mic drop.

For years, country music’s gatekeepers treated Beyoncé like an unexpected guest at their honky-tonk party—curious but unconvinced. The skepticism started when she performed Daddy Lessons at the 2016 CMAs and reached a fever pitch when she dared to go full cowboy with this album. But, in classic Beyoncé fashion, she didn’t knock on the door—she built her own damn saloon and invited the world inside.

From the moment Cowboy Carter hit the airwaves, it was clear this wasn’t just Beyoncé “trying” country—this was Beyoncé expanding it. Blending classic storytelling with deep Southern roots, the album honored country’s past while dragging it, boots first, into the future. It was fresh. It was bold. It was undeniable.

So when her name was finally called for Album of the Year, the moment wasn’t just about Beyoncé. It was about the artists who paved the way but never got their due. It was about the history of country music itself—one that has always had Black fingerprints all over it, despite what mainstream narratives might suggest.

And now? Well, country music has officially entered the Beyoncé era. Whether Nashville likes it or not, the biggest genre in America just got a new sheriff—and she runs on sheer talent, unmatched vision, and a little something called destiny.

Saddle up, Grammy history. You just got Carter’d.

Jelly Roll Set to Ignite the Screen in Acting Debut on ‘Fire Country’

Jelly Roll, the genre-blending country star known for his raw authenticity and soulful storytelling, is about to step into a brand-new spotlight—acting. The multi-award-winning artist will make his television acting debut on CBS’s hit action-drama series Fire Country, a show that has captivated audiences with its high-stakes firefighting action and deeply emotional character arcs.

Born Jason DeFord, Jelly Roll has built a career rooted in vulnerability, blending country, rock, and hip-hop influences into deeply personal music. His transition into acting might come as a surprise to some, but for fans who have witnessed his gripping performances on stage, his ability to bring passion and grit to storytelling is undeniable.

Fire Country follows a group of inmates who volunteer as firefighters in exchange for reduced prison sentences, tackling raging wildfires while wrestling with personal redemption. Details on Jelly Roll’s character remain under wraps, but speculation is already swirling about whether he’ll portray a hardened convict, a local hero, or something in between. Given his background and ability to channel real-life struggles into his art, it’s likely his role will carry the same emotional weight that defines his music.

The crossover from music to acting has been a natural evolution for many artists, with country stars like Tim McGraw and Dwight Yoakam proving their chops on the silver screen. If Jelly Roll’s emotional depth and charisma in music translate to the screen, Fire Country may have just landed a fiery new fan-favorite.

Jelly Roll’s acting debut is expected to air later this year, and fans can’t wait to see if he brings the same heart, grit, and raw honesty that made him a music industry powerhouse. One thing’s for sure—he’s about to turn up the heat.

Manic Street Preachers Channel The Waterboys and R.E.M. on Poignant New Single ‘Brushstrokes Of Reunion

Welsh rock legends Manic Street Preachers have long been known for their ability to weave literary depth, political defiance, and anthemic melodies into their music. On their latest single, Brushstrokes Of Reunion, they pay homage to two of their most formative influences—The Waterboys and R.E.M.—blending folk-tinged grandeur with shimmering alt-rock textures.

From the opening acoustic strums, there’s an undeniable echo of Mike Scott’s poetic storytelling and the "big music" ethos that defined The Waterboys’ mid-'80s output. The track’s sweeping instrumentation, layered with piano flourishes and violin swells, channels the spirit of This Is the Sea-era Waterboys, creating a rich sonic landscape that feels both nostalgic and immediate. Lyrically, the song paints vignettes of lost connections and faded ideals—classic Manics territory—but with a romanticism that nods to Scott’s own lyrical mysticism.

Then comes the unmistakable R.E.M. influence. James Dean Bradfield’s vocal melody carries a distinct Michael Stipe cadence, particularly in the chorus, where his delivery moves between tender restraint and soaring urgency. The chiming, arpeggiated guitars recall Peter Buck’s signature jangle, reminiscent of Murmur and Reckoning, while the rhythmic pulse drives forward with an effortless momentum akin to R.E.M.'s early-'90s period.

Speaking about the track, bassist and lyricist Nicky Wire remarked, “Both The Waterboys and R.E.M. were crucial in shaping how we saw songwriting—not just in sound, but in storytelling and a sense of place. This song is a love letter to that era of music.”

With Brushstrokes Of Reunion, the Manics prove once again that they are masters of reinvention. By channelling their formative influences while staying true to their own poetic fire, they’ve crafted a song that feels like both a tribute and a timeless addition to their ever-evolving catalogue.

Jeff Goldblum’s New Album: A Star-Studded Jazz Affair with Ariana Grande and Cynthia Erivo

Jeff Goldblum, the ever-charismatic actor and accomplished jazz pianist, is back with a new album—and this time, he’s bringing Broadway magic into the mix. Known for his smooth piano stylings with The Mildred Snitzer Orchestra, Goldblum’s latest musical endeavor features none other than Wicked co-stars Ariana Grande and Cynthia Erivo, adding a theatrical twist to his signature jazz sound.

Goldblum has long balanced his acting career with his passion for jazz, frequently performing live and releasing albums that blend classic standards with his signature playful charm. With this latest record, he continues to surprise fans by enlisting two powerhouse vocalists who are currently preparing to take on the roles of Glinda and Elphaba in the highly anticipated Wicked movie adaptation.

Ariana Grande, known for her powerhouse vocals and deep love for jazz and soul, lends her voice to a sultry rendition of an American songbook classic. Meanwhile, Cynthia Erivo, a Tony-winning vocal virtuoso, brings her rich, emotive tone to another standout track. The fusion of their Broadway-caliber voices with Goldblum’s jazzy improvisations makes for an unexpected yet thrilling combination.

In a recent interview, Goldblum described the collaboration as a “dream come true,” praising both singers for their artistry and ability to adapt to the free-flowing nature of jazz. “Ariana and Cynthia are not only extraordinary performers, but they understand the spirit of jazz—it’s about playfulness, spontaneity, and, most importantly, heart,” he said.

Fans of jazz, Broadway, and Goldblum’s unique musical stylings are in for a treat with this album, which promises a mix of nostalgia, theatricality, and pure musical joy. Whether you’re a Wicked enthusiast or a jazz aficionado, this collaboration is set to be one of the most exciting crossovers of the year.

Marianne Faithfull, the iconic English singer, songwriter, and actress, has passed away at 78

Marianne Faithfull, the iconic English singer, songwriter, and actress, has passed away at the age of 78. Born on December 29, 1946, in Hampstead, London, Faithfull's career spanned over five decades, leaving an indelible mark on the music and film industries.

Faithfull's journey into the limelight began in 1964 when she was discovered at a Rolling Stones launch party. Her debut single, "As Tears Go By," penned by Mick Jagger, Keith Richards, and Andrew Loog Oldham, became a chart success and established her as a prominent figure in the British Invasion of the United States.

Throughout the 1960s, Faithfull released a series of successful singles, including "This Little Bird," "Summer Nights," and "Come and Stay with Me." Her ethereal voice and striking beauty made her a symbol of the Swinging Sixties. During this period, she also embarked on a highly publicized relationship with Mick Jagger, further cementing her place in the cultural zeitgeist.

The 1970s brought significant challenges for Faithfull. She battled heroin addiction, anorexia, and homelessness, which led to a hiatus from her musical career. However, demonstrating remarkable resilience, she made a triumphant return in 1979 with the critically acclaimed album "Broken English." This work showcased a raw, emotive sound, with her once melodic voice now imbued with a husky, world-weary timbre that critics described as "whisky-soaked."

In addition to her musical achievements, Faithfull pursued acting, appearing in films such as "I'll Never Forget What's'isname" (1967), "The Girl on a Motorcycle" (1968), and "Hamlet" (1969). Her artistic versatility and willingness to confront personal demons in her work earned her a reputation as a fearless and authentic performer.

Faithfull's later years were marked by continued creative output. In 2021, she released "She Walks in Beauty," a spoken word album featuring her recitations of 19th-century British Romantic poetry, accompanied by musical arrangements from Warren Ellis, Brian Eno, Nick Cave, and Vincent Segal.

Her contributions to the arts were recognized with numerous accolades, including the World Lifetime Achievement Award at the 2009 Women's World Awards and being made a Commandeur of the Ordre des Arts et des Lettres by the French government.

Marianne Faithfull's life was a testament to resilience and artistic evolution. Her ability to navigate the tumultuous landscapes of fame, personal struggles, and creative reinvention leaves a lasting legacy that will continue to inspire artists and audiences alike.

Ultimate Ears - The Speaker Predicament

by carysmegansound

Ever since I've had a concept of what music I enjoy I've had an ongoing predicament: how do I listen to this music? I thought I'd give my two cents on what current equipment helps me to hear the good sound.

I was born in the mid-90s so my first personal listening experiences were via tape and those tiny headphones you can see me wearing. I obviously don't remember sound quality of these but there's definitely a reason they don't make them like that anymore. My earphone/headphone journey began mostly with JVC jelly in-ear earphones which I swore by for years and still probably would now for casual listeners. They were the most comfortable I could find, dead cheap and lasted me at least 4 years of school journeys. 

In 6th form I studied Music Tech so it was time to upgrade, and I used relatively basic Sennheisers (that they've now stopped making) throughout the two years. They did the job but I don't particularly rate them over anything else. Then I got a pair of Beats solo 2s with my mac (I miss student deals) and I didn't want to be that guy... but I definitely became a Beats user. I found those pretty comfy and they're still alive now so I respect how well they've lasted. Flashforward to about a month ago and I was shopping for some wireless headphones not just for convenience but... well really mostly convenience.

Going wireless changed my life to the point where now I don't even like that I have to charge things with a wire. Why does my TV even need a power supply?

Anyway, I went to the apple store and tried out a pair of Beats Studio 3s and honestly I was sold instantly. Not just the sound quality but the adaptive noise cancelling was a massive selling point for me. You're there with the music and not there with everyone else on the bus too. On the box it says 'change the way you hear sound' which makes it out like its one of a kind which it isn't necessarily, but there's certainly nothing wrong with them and I'd recommend them to anyone... as long as they were on sale!

This is what I'm really here to talk about: Ultimate Ears and their range of bluetooth speakers (again, wireless is such a fab thing). I came across the UE Boom 2 thanks to a friend who uses his religiously. He always has it on him ready to go and we used it on a holiday in Greece where water, sand and the heat didn't phase it at all. Soon after that it was Prime day and I bought one for about the price they are now (a year later) and I used it regularly, even dropping it onto a hard floor from a 9ft height.... It came out of that ordeal with no dents and the music continued playing as if nothing had happened!

This year on Prime day I upgraded to the UE Megaboom, with an extra 30hz of low-end and double the power. I'm sure I'll always be a strong advocate of the UE range. They changed the way I hear sound.

UE have a vast range, from the small to the large (now with styles including Alexa voice control!) all decently priced for the quality and sheer durability of their products. I'm not sponsored in any way, I just believe that UE aren't necessarily first choice for people but it definitely should be on peoples radars.

Have a look at their range and find out more over at ultimateears.com

Existential Dread and Clever Lyrical Content: The Underground Indie Scene

By carysmegansound

This may seem a rather odd topic but it's one close to my heart. My musical taste largely consists of music in the Math Rock and (underground) Indie Rock genres, and bands in this scene often have funny song names: I haven't had a lunch break since window's vista came out - Alpha Male Tea Party, lyrical content that can only be written by a 20-something year old having an existential crisis: I need to sort my life out / I need to sort my hair / but the barber's got no answers only stories i don't care about - Don't Worry, and an aesthetic and relatability for so many of my generation.

Don't Worry's recent release Who Cares Anyway?

Can guitars sound sad? Absolutely. I don't believe any other genre makes guitars sound as sad as underground emo/indie/math rock does, and I know 'sad' definitely isn't a technical term but as soon as you listen you'll understand what I mean.

This blog was inspired by a band I discovered by accident at Tooting Tram and Social a couple of years ago. They were playing alongside an underground Math Rock band called The Yacht Club (who incidentally have a really exciting album in the works - and I cannot wait for it to come out and tell you all about it).

Anyway, I was totally drawn to Don't Worry because line after line was relatable and so cleverly crafted. Why am I so Unorganised is the first and main lyric of the chorus to Three Nil. The bridge of the song consists of the singer talking in a matter-of-fact way, and it's one of my favourite parts of any song I've ever heard (see below)

“I walked out of the tube station and waited for the bus driver to finish his cigarette so that we could all get on board and he could start the engine.
I sat facing backwards looking only at where I’d been and not where I was going and a sense of non-interest and disappointment flooded my brain.
I couldn’t wait to get home to carry on feeling this way. But once I was at home I would be alone and more comfortable, and my eyes wouldn’t be bouncing around in my head like the numbers on the national lottery.”

— Three Nil - Don't Worry

Something else that I've always loved about going to underground gigs is how intimate they are. The bands are usually fans of each other anyway so when they're not on stage, they're right next to you in the crowd. Also, you get little personal touches when you buy things from them - my Don't Worry cap came in shiny paper with a handwritten note. Even though these bands I listen to sing about the relatively sad things in life, they're happy as lary doing what they do and I massively respect that.

What I really want you to take away from reading this is to go to local and underground gigs. They're cheap so it's no worry if you don't particularly enjoy the band you took a gamble in seeing. The venues are usually unusual and a bit interesting so you get a decent night out either way, and you might even come away with a love for a new band you wouldn't have otherwise come across. 

A recent example of this for me was Leo Nappier in The Ram Jam. Him with his band were relatively new in playing together back in March and ended up blowing everyone away, and they're back again on 28th July!

A great way of discovering underground artists is to look for indie record labels and look at their artists. A great one to check out for the sort of 'sad' / math rock I'm in to is Big Scary Monsters. They released a fantastic Math Rock record titled Animals by This Town Needs Guns, and some of their current artists include Gnarwolves, Alpha Male Tea Party, and Nervus (who very recently played in Kingston). Another indie record label I'm a big fan of is Failure by Design records. Alternatively, find some venues in your local area and look to see who plays there regularly or is playing there soon!

This Is America... Some Thoughts

By carysmegansound

I'd never listened to Childish Gambino before, and I'm definitely not up to date with the rap/hip-hop scene of this decade (my HipHop/Rap playlist on Spotify pretty much has stuff exclusively from the early 90s to about 2007). But a friend of mine suggested this video to me and since then I've seen many articles pop up about it, so I thought I'd go through some of these and throw in my two cents.

source: youtube.com

This Is America has sparked online discussion and even the BBC are reporting on its message. Music Journalist Natty Kasambala describes the contrasting tones of the song as being similar to scrolling through a twitter feed; you'll see violence and then something funny, and your emotions can flick through from laughing to sadness in a second. This is something I wholeheartedly believe was the idea behind the video - in America you have strong black communities celebrating their heritage (shown with the traditional African singing used in the song) and that is interrupted by the violence and gun crime. She also mentions that watching more black deaths in the video "isn't going to have any more of a revolutionary impact" which I agree with, but don't believe the video was created with that intention - I think the intention was more artistic and metaphorical in the way that he chose to arrange the music and pair the video with the song... Natty's final comment was that she was "a little shocked and a little overwhelmed with the way he chose to say [something so important]". 

Source: glassnotemusic.com

Who Is Childish Gambino?

Donald Glover is an American comedian, actor, writer, director, producer, DJ and songwriter/rapper, under which he uses the stage name Childish Gambino. He's currently signed to Glassnote Records (Chvrches, Daughter, Two Door Cinema Club) and his latest release 'Awaken, My Love!' achieved vast critical acclaim, particularly for the song Redbone. I've not yet seen a negative thing about him, in fact quite the opposite. The image below is a comment under the BBC News article about This Is America.

Source: Facebook

Source: youtube.com

Picking Apart The Video...

The first scene in the music video shows Glover with apparently 'exaggerated' dance moves and facial expressions, and many (The Guardian, AJ+) have likened this to a gross characterisation of African-Americans and their culture by Thomas D. Rice from around the 19th Century known as Jim Crow.

The strongest piece of imagery for me was the contrast and confliction in the video, first of all from the dancing to the shooting and second of all between the foreground and the background. In the scene with an all-black gospel choir, Gambino comes in dancing and smiling then all of a sudden his body and facial expression just drops and at that point the gun is thrown into his arms and he shoots the choir. This to me is what the video is all about; black identity being interrupted by the reality of racism and the gun crime in America. "We Just Wanna Party" are the first words sung, and potentially the most underrated as I haven't seen this picked apart in any of the articles I've read. This hugely contrasts with "Guns in my area / I gotta carry 'em".

The conflicting imagery between Gambino in the front and the chaos ensuing in the back of most of the video is widely accepted as a commentary on the media being a distraction to what is actually going on in the world, however I also took it potentially as showing black communities trying to push on with lives despite what is going on around them.

Source: youtube.com

According to Time magazine, Gambino has said his next album will be his last... Every one of his albums so far have been vastly different to one another and each one has achieved greater praise than the one before; can we expect it to be a political mic drop as a poignant end to his Childish Gambino Persona?

If you would like to check out the articles and sources discussed and drawn on for this blog, here are the links below:

• This Is America by Childish Gambino on YouTube
• The Guardian
• Time
• BBC News
• Glassnote Records 
• AJ+