Peter Hook talks about "Get Ready", the Rock n' Roll Hall of Fame, and more

It’s been over four decades since Peter Hook co-founded Joy Division, the band that evolved into New Order following the tragic death of Ian Curtis. From pioneering post-punk to shaping electronic dance music, New Order’s legacy is undeniable. But there’s one recognition still missing from their resume — induction into the Rock and Roll Hall of Fame.

In a recent interview, Hook addressed the elephant in the room: Why hasn’t New Order made it into the Rock Hall yet? His answer, as always, was as candid as fans have come to expect.

“It’s politics, plain and simple,” Hook said. “The Hall of Fame has a history of ignoring bands with messy relationships — and let’s face it, ours was more than messy.”

Fractures in the Factory

The tensions between Peter Hook and his former New Order bandmates — Bernard Sumner, Stephen Morris, and Gillian Gilbert — are well-documented. Hook left the band in 2007 after mounting personal and creative differences. Since then, he’s carved out a successful career with his band, Peter Hook & The Light, performing Joy Division and New Order albums in full. Meanwhile, New Order has continued to tour and release new music without him.

When New Order was nominated for the Rock and Roll Hall of Fame in 2020, fans were cautiously optimistic. But when the band didn’t make the final cut — and when Joy Division and New Order were later jointly nominated in 2023 but again not inducted — it felt like an intentional snub.

“We’re a band with a complicated history,” Hook acknowledged. “And I think the Hall doesn’t know what to do with us. Are we Joy Division? Are we New Order? Are we both? And if we are inducted, who gets to stand on stage and take the credit?”

It’s a fair question. The Hall of Fame tends to avoid messy reunions, and New Order’s saga is particularly tangled. Still, for fans, the music speaks louder than the drama.

Revisiting Get Ready: An Underrated Classic

Despite the politics, Peter Hook isn't waiting around for industry validation. He’s channeling his energy into what he does best: playing music. His current tour sees him and The Light performing New Order’s 2001 album Get Ready in full — a bold choice, considering it’s one of the band’s most divisive records.

“Get Ready was the last album I did with New Order, and I think it’s criminally underrated,” Hook said. “It marked a return to our rock roots, after all the dance records. It’s raw, emotional — and it deserves a second listen.”

Released after an eight-year hiatus, Get Ready saw New Order embracing guitar-heavy sounds while still retaining their signature synth textures. With tracks like “Crystal,” “Slow Jam,” and “Someone Like You,” the album bridged the gap between their post-punk origins and the modern indie-rock landscape.

Hook's decision to play the album front to back is more than nostalgia — it’s a reclamation.

“For me, playing Get Ready is about closure. It’s about giving that record the spotlight it never got, and giving fans the chance to hear it live in a way they never have.”

Looking Back Without Regret

For someone who’s been at the heart of two of the most influential bands of the 20th century, Peter Hook remains refreshingly grounded — and unapologetically honest.

“I’m proud of what we did — in both Joy Division and New Order. Whether or not we ever get into the Rock Hall, the legacy is already there. The fans are the real hall of fame, and they’ve stuck with me all the way.”

As Hook continues to tour the world with Get Ready and deeper cuts from New Order and Joy Division’s catalog, one thing is clear: Rock Hall or not, his place in music history is secure — and he’s not done making noise yet.

An Exciting Discovery: The Clandestine Final Project Of David Bowie

In a revelation that’s thrilling fans and historians alike, a previously unknown final project by legendary musician and artist David Bowie has been discovered locked away in his private study—untouched since his death in 2016.

The discovery was made by Bowie's longtime archivist and estate manager, who had been cataloging the remaining contents of his New York City apartment. Tucked behind a false panel in the study—overlooked for nearly a decade—was a vintage hard drive, several notebooks, and a series of unlabelled mini-DV tapes. What they contained has stunned even those closest to the late icon.

A ultidimensional Masterpiece

According to early reports, the contents point to an ambitious multimedia project that Bowie was quietly developing in the final months of his life—an interactive, sci-fi rock opera titled “Beyond the Static.”

Blending music, video, visual art, and speculative storytelling, Beyond the Static appears to be a continuation of the themes introduced in Bowie’s final album, Blackstar—mortality, transformation, and the transcendence of identity. But unlike Blackstar, which was released just two days before his passing, this project was never completed or announced.

The notebooks outline a rich narrative world: a dystopian future where memories can be traded, time is fractured, and music is forbidden. One recurring character, known only as "The Listener," seems to serve as a spiritual stand-in for Bowie himself—an ageless observer who navigates the ruins of culture with only sound as his guide.

The Music: A Hidden Album?

Perhaps most tantalizingly, the hard drive includes demo recordings of 8 fully produced tracks not found in any known Bowie discography. Described as “haunting and futuristic” by insiders, the songs blend elements of ambient electronica, spoken word, and jazz, echoing Bowie’s Berlin-era experimentation while embracing 21st-century production.

Some titles include:

• “Signal to Ashes”

• “The Hollow Channel”

• “Static Saints”

• “A Map Without Time”

While unfinished, the recordings are unmistakably Bowie—his voice weathered yet commanding, weaving lyrics that are at once cryptic and intimate.

A Glimpse Into Bowie’s Mind

This secret project offers an unprecedented glimpse into Bowie’s artistic process during his final days. Known for his meticulous curation and constant reinvention, Bowie often operated in layers of metaphor and mystery. He had hinted in interviews that there were things “still left to say,” but no one expected something of this scale to emerge posthumously.

Longtime producer and friend Tony Visconti, who worked closely with Bowie until the end, was reportedly unaware of the project but said, “If anyone was capable of hiding an entire universe of music and meaning in plain sight, it was David.”

What’s Next?

The Bowie estate is currently working with archivists, musicologists, and digital preservation experts to fully assess the materials. While no formal release date has been announced, the estate has confirmed its intention to make portions of the project available to the public, possibly as part of a major exhibition or a special edition box set.

Fans are already buzzing online, with hashtags like #BeyondTheStatic and #BowieReturns trending across platforms. For many, it feels like a message from beyond—a final gift from an artist who was always steps ahead of his time.

In a world still echoing with his influence, Beyond the Static might just be the epilogue David Bowie always intended: mysterious, genre-defying, and unmistakably brilliant.

A New Take on ‘Hollow Man’ - Bruce Springsteen & Bon Jovi Team Up

In a collaboration that has classic rock fans buzzing, Bon Jovi and Bruce Springsteen have joined forces for a powerful new version of “Hollow Man,” the introspective track from Bon Jovi’s 2020 album 2020. The reimagined version, released today across all major streaming platforms, adds a gritty, soulful layer to the original — thanks in no small part to Springsteen’s unmistakable voice and raw emotional depth.

This is the first official studio collaboration between the two New Jersey icons, and it sounds exactly like you’d hope: honest, weathered, and full of heart.

From the first verse, Jon Bon Jovi’s signature raspy vocals set a reflective tone. But it’s when Springsteen takes over the second verse that the track takes on a new life. There’s a haunting authenticity in how he delivers lines like “I see a stranger in my eyes, and he’s staring back at me”, adding weight to the song’s themes of identity, regret, and personal reckoning.

“Hollow Man” was always one of the quieter emotional punches on 2020, but this version feels more lived-in. The arrangement has been stripped back further — acoustic guitars, a touch of harmonica, and piano drive the track — allowing both voices to shine in their vulnerability. The harmonies in the final chorus are goosebump-inducing: two rock legends, no longer the hungry young rebels of their early careers, but seasoned storytellers singing with the wisdom of experience.

Bon Jovi shared his excitement about the collaboration on social media: “Bruce brought something to this track that only he could. We’ve been friends for a long time, but working together in the studio — it just clicked.” Springsteen, in his typical understated fashion, said simply, “Jon wrote a hell of a song. I was glad to be a part of it.”

The collaboration has already sparked rumors among fans about the possibility of a joint tour or more music to come. While nothing has been confirmed, the chemistry on “Hollow Man” is undeniable — and it’s left fans wanting more.

For now, though, this version of “Hollow Man” stands as a poignant, powerful moment in both artists' storied careers — a reminder that even legends still have new stories to tell, and new ways to tell them.

Listen to “Hollow Man (feat. Bruce Springsteen)” now — and get ready to feel all the feels.

Deftones Retain Consistently Superb Quality on Private Musi

Deftones Retain Consistently Superb Quality on Private Music
By Eligh Gold, August 22, 2025

If there’s one thing you can count on in the ever-shifting terrain of alternative metal, it’s that Deftones will never deliver anything less than excellence. With their latest release, Private Music, the Sacramento legends once again prove that time only sharpens their edge — not dulls it. As bands come and go, or fall victim to formulaic writing and sonic redundancy, Deftones continue to evolve while retaining the essence of what makes them so uniquely powerful.

A Sonic World of Their Own

Private Music doesn’t scream for attention — it haunts, it swells, it creeps under your skin. The album's title might suggest something subdued, even minimalist, but don’t let that fool you. What Deftones present here is deeply personal, yet sonically expansive. There's a sense of restraint laced with ferocity; a band clearly in full control of its emotional and technical faculties.

From the opening track, you’re reminded of why Deftones have remained in a league of their own. Chino Moreno’s vocals are as textured and evocative as ever, shifting from hushed vulnerability to guttural intensity with surgical precision. Guitarist Stephen Carpenter lays down crushing yet atmospheric riffs, balancing aggression with ambiance in a way few modern rock guitarists can. Meanwhile, Abe Cunningham’s drumming remains a masterclass in groove and finesse, anchoring the band’s dreamlike excursions with just the right amount of weight.

The Evolution Continues

While some legacy acts lean on nostalgia, Private Music feels fresh — even experimental — without being self-indulgent. Tracks like “Glass Language” and “Tidepool Static” showcase Deftones' flair for blending ethereal electronics with their signature alt-metal backbone. Frank Delgado’s contributions on synths and samples are more prominent here than in recent memory, adding eerie textures that blur the lines between post-rock, trip-hop, and doom.

Yet, for all its atmospheric ambition, the album never forgets to hit hard. Songs like “Carbine Veins” and “Salt Bloom” prove that Deftones can still deliver heavy, emotionally charged rock music that cuts deep — but always with nuance.

Lyrical Intimacy

Moreno’s lyrics on Private Music are abstract but deeply affecting. There’s a sense of quiet introspection across the record, as if these songs are sonic diary entries whispered into the dark. Themes of isolation, yearning, memory, and transformation echo throughout — all filtered through the band’s trademark lyrical impressionism.

You won’t find overt declarations or anthemic choruses here. Instead, Moreno invites the listener into a shadowy, intimate headspace. It’s this emotional honesty — shrouded in mystery — that’s kept fans connected to Deftones for decades.

A Legacy Reinforced

In an era where many veteran bands struggle to stay relevant or risk diluting their legacy, Private Music reinforces Deftones' place in the pantheon of modern rock innovators. It’s not just another good album — it’s a statement of creative vitality, proving that their well of inspiration is far from dry.

While Deftones could easily coast on their classics, they choose instead to keep exploring, keep evolving, and most importantly, keep delivering music that resonates. Private Music is yet another chapter in a discography that has rarely, if ever, faltered.

And that’s what makes Deftones so enduring: a refusal to stagnate, a commitment to quality, and an ability to make the private feel universal.

“You Are Truly Immortal”: Bill Ward Writes Touching Message to His Black Sabbath Bandmates After Final Show

The final curtain has officially fallen on one of heavy metal’s most legendary acts. Black Sabbath, the pioneering force behind a genre that shook the world, has played their last show. But while the amps may now be silent, the emotions remain electric—especially from founding drummer Bill Ward, who penned a deeply moving message to his former bandmates in the wake of their farewell performance.

In a heartfelt note shared with fans on social media, Ward reflected on the band's extraordinary journey and the legacy they leave behind. Although he was absent from Sabbath's final reunion shows due to longstanding personal and contractual issues, Ward made it clear that the bond between him, Tony Iommi, Ozzy Osbourne, and Geezer Butler is one that transcends stage time.

“To Tony, Ozzy, and Geezer—thank you for the music, for the brotherhood, and for carrying the flag all the way to the end. You are truly immortal,” Ward wrote. “No matter where we stand now, I will always be proud of what we created together.”

For fans, Ward’s message is both poignant and symbolic. It is a deeply moving reminder that Black Sabbath's impact is not only measured in platinum records and sold-out arenas, but also in the unbreakable, if complicated emotional bonds forged through decades of creation, chaos, and catharsis.

Ward went on to acknowledge the final show, calling it “a powerful, dignified close to a life-altering story,” and thanked the fans who have followed them from the smoky clubs of Birmingham to the world’s biggest stages.

“You carried us when we were broken. You sang with us when we had no voice. You are the final piece of this legacy,” he wrote.

While his absence from Sabbath's last chapter was a source of disappointment for many longtime followers, Ward’s gracious words brought a sense of healing and closure. His message wasn’t just a farewell; it was a tribute to a legacy that has influenced generations and will undoubtedly echo for decades to come.

Black Sabbath’s swan song may have been missing one original member onstage, but Bill Ward’s words ensured that the heart of the band—its original spirit—was still very much present.